genre american
Americana
mid-1990s→ · Nashville / Austin / across the United States
The roots music umbrella: folk, country, blues, gospel and bluegrass recombined without commercial pressure — Emmylou Harris, Uncle Tupelo, Gillian Welch and a tradition that doesn't know it should be obsolete.
Americana is the format category the music industry created in 1995 to handle the growing number of artists making country, folk and roots music outside the Nashville mainstream: the Grammy category arrived in 2009. But the music it describes is older — Gram Parsons, Emmylou Harris and the alternative country scenes of the 1980s and 1990s (No Depression magazine, the Bloodshot Records catalog) were all practicing it before it had a name.
Emmylou Harris, who began as Gram Parsons’ partner and became the genre’s most consistent practitioner for five decades, is Americana’s central figure. “Boulder to Birmingham” (1975) — written after Parsons’ death as an elegy — captured the movement’s emotional register: honest, restrained, rooted in tradition and suffused with loss.
Uncle Tupelo (No Depression, 1990; March 16-20, 1992), Wilco, Son Volt, the Jayhawks and the whole No Depression scene of the 1990s articulated an alternative country that was consciously connected to the outlaw country tradition and to folk music’s values. Gillian Welch, Lucinda Williams and Steve Earle represent the singer-songwriter branch; Drive-By Truckers and Jason Isbell the rock-inflected branch; Alison Krauss and Noam Pikelny the acoustic/bluegrass branch. All are Americana.
Connections
Roots, siblings & influences
Americana grew from country rock's roots impulse — the desire to make music connected to American folk and country traditions — without the commercial compromises.
Americana's lyrical seriousness and acoustic orientation descend from the folk revival's values — meaning over entertainment, tradition over novelty.
Awopbopaloobop Alopbamboom: Pop from the Beginning · Country Music, U.S.A.
Bluegrass's acoustic instrumentation and its connection to older traditions were the founding aesthetic of Americana's most austere branch.
Key artists
-
Hank Williams
artistCountry music's founding poet: his voice carried the sound of rural Southern longing, and 'I'm So Lonesome I Could Cry' remains the saddest song ever written.
-
Johnny Cash
artistThe Man in Black: a voice like a freight car on a mountain track, a catalog that moved from rockabilly to folk to gospel to American Recordings, always finding the truth in the dark.
Sources
- Country Music, U.S.A. — Bill C. Malone and Jocelyn R. Neal (2010). University of Texas Press (3rd rev. ed.; first published 1968) · Book
- Awopbopaloobop Alopbamboom: Pop from the Beginning — Nik Cohn (1969). Weidenfeld & Nicolson · Book
- Bluegrass: A History — Neil V. Rosenberg (1985). University of Illinois Press · Book
Discussion
Comments
Read the conversation or sign in with Google to add your own note.