genre american

Americana

mid-1990s→ · Nashville / Austin / across the United States

The roots music umbrella: folk, country, blues, gospel and bluegrass recombined without commercial pressure — Emmylou Harris, Uncle Tupelo, Gillian Welch and a tradition that doesn't know it should be obsolete.

Americana is the format category the music industry created in 1995 to handle the growing number of artists making country, folk and roots music outside the Nashville mainstream: the Grammy category arrived in 2009. But the music it describes is older — Gram Parsons, Emmylou Harris and the alternative country scenes of the 1980s and 1990s (No Depression magazine, the Bloodshot Records catalog) were all practicing it before it had a name.

Emmylou Harris, who began as Gram Parsons’ partner and became the genre’s most consistent practitioner for five decades, is Americana’s central figure. “Boulder to Birmingham” (1975) — written after Parsons’ death as an elegy — captured the movement’s emotional register: honest, restrained, rooted in tradition and suffused with loss.

Uncle Tupelo (No Depression, 1990; March 16-20, 1992), Wilco, Son Volt, the Jayhawks and the whole No Depression scene of the 1990s articulated an alternative country that was consciously connected to the outlaw country tradition and to folk music’s values. Gillian Welch, Lucinda Williams and Steve Earle represent the singer-songwriter branch; Drive-By Truckers and Jason Isbell the rock-inflected branch; Alison Krauss and Noam Pikelny the acoustic/bluegrass branch. All are Americana.

Connections

Roots, siblings & influences

descends from

Americana grew from country rock's roots impulse — the desire to make music connected to American folk and country traditions — without the commercial compromises.

Country Music, U.S.A.

influenced by

Bluegrass's acoustic instrumentation and its connection to older traditions were the founding aesthetic of Americana's most austere branch.

Bluegrass: A History

Key artists

Sources

  1. Country Music, U.S.A. — Bill C. Malone and Jocelyn R. Neal (2010). University of Texas Press (3rd rev. ed.; first published 1968) · Book
  2. Awopbopaloobop Alopbamboom: Pop from the Beginning — Nik Cohn (1969). Weidenfeld & Nicolson · Book
  3. Bluegrass: A History — Neil V. Rosenberg (1985). University of Illinois Press · Book

Discussion

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